No. 11 (2020): AVANCA | CINEMA 2020 | AVANCA | CINEMA

AVANCA | CINEMA 2020

AVANCA | CINEMA 2020

AVANCA | CINEMA 2020

No. 11 (2020)

Online Journal with 110 communications and printed book with 911 pages with a total of 109 communications (ISSN: 2184-0520) from various authors from different parts of the world, which reflect the International Conference AVANCA | CINEMA 2020 and gather scientific communications around the cinema.

Published October 30, 2020

https://doi.org/10.37390/avancacinema.2020

Editorial

Editorial | Table of Contents 2020

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Chapter I _ Cinema - Art

Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

Different imaginaries that are made by the sound of Maurice Ravel and the images of Tom Scott: the case of Suite Ma mère L’Oye.

https://doi.org/10.37390/avancacinema.2020.a94

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Irina Parreira, Michele Santos, Maria João Pereira Neto

An analysis of women's fashion in the 1970’s and 1980’s, based on movie posters

https://doi.org/10.37390/avancacinema.2020.a95

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Mário Afonso, Paulo Bernardino Bastos

Contemporary Archives and Practices

https://doi.org/10.37390/avancacinema.2020.a96

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Mariana Beatriz Marques Fernandes

Big Eyes: Life and Work of Margaret Keane Through Tim Burton’s eyes.

https://doi.org/10.37390/avancacinema.2020.a98

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Marcello Zeppi

Cinema and landscape, Italian heritage and widespread museum

https://doi.org/10.37390/avancacinema.2020.a99

Manuel Siabato

Concepts and realities of 360° cinema.

https://doi.org/10.37390/avancacinema.2020.a100

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Isabel Cristina Fontão, Mônica Stein

Female Characters and Transmedia Universes – A method to create the Case “Medusas” for The Rotfather Franchise.

https://doi.org/10.37390/avancacinema.2020.a101

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Sónia Carvalho, Paulo Bernardino Bastos, Rui Alexandre Rosa Grincho Serra

Transpersonal Body - The Spiritual contribution of Performance to the pictorial construction.

https://doi.org/10.37390/avancacinema.2020.a102

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Cláudia Marisa

Dancing to find the happiness they seek

https://doi.org/10.37390/avancacinema.2020.a103

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Noni Geiger

Discourse, Figure, d’après Lyotard.

https://doi.org/10.37390/avancacinema.2020.a104

Fernando Augusto Silva Lopes, Tiago Vieira da Silva

Documentary: colonial Imaginary of Minas Gerais

https://doi.org/10.37390/avancacinema.2020.a105

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Erika Rodrigo Benedicto

The treatment of lesbian love in "Carne apaleada" (Inés Palou, 1975/Javier Aguirre, 1978), film adaptation of the Spanish political transition

https://doi.org/10.37390/avancacinema.2020.a106

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Sandra Regina Nunes Chaves

Photographed stories

https://doi.org/10.37390/avancacinema.2020.a107

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Beáta Fenyvesi

“Images of the Secret Self”: The Idea of the Non-Human in German Expressionist and Early American Horror Cinema

https://doi.org/10.37390/avancacinema.2020.a108

Sérgio Eliseu, Maria Manuela Lopes, Gilberto Reis, Marta Noronha

Kurika - an interactive mixed reality and Virtual Reality art installation

https://doi.org/10.37390/avancacinema.2020.a109

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Manuel Rodríguez Vargas

Painting under the sign of BIOPIC

https://doi.org/10.37390/avancacinema.2020.a110

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Jesus Ramé López, Caterina Cucinotta

Filmic cities in Lisbon Story and Caro diario: intimate constructions of public spaces.

https://doi.org/10.37390/avancacinema.2020.a111

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Paloma Cristina Lima dos Santos, Jorge Luiz Cunha Cardoso Filho

Original Leitmotiv for the short film Vivi Lobo e o Quarto Mágico (2019): A composing exercise

https://doi.org/10.37390/avancacinema.2020.a112

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Filomena Antunes Sobral, Cláudia Figueiredo Simões

Metamorphoses - Video art and photography

https://doi.org/10.37390/avancacinema.2020.a113

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Maria João Cortesão, Sophia Pitanga

Representations of black people in Brazil in the film BLUESMAN: Identity development through cinematic ‘grammar’

https://doi.org/10.37390/avancacinema.2020.a114

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Paulo Avelino de Souza Costa

The other muted

https://doi.org/10.37390/avancacinema.2020.a115

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Raquel de Araujo Roble

The meaning of blue color in the film Bleu, by Kieslowski

https://doi.org/10.37390/avancacinema.2020.a116

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Elena Galea Pozo

A Compared Perspective of Mystical Visual Poetics. Tradition through Paradjanov and Val Del Omar

https://doi.org/10.37390/avancacinema.2020.a117

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Cecília Nazaré de Lima

Why the choice of Beethoven's Fifth Symphony as a symbol of the Allies in World War II?

https://doi.org/10.37390/avancacinema.2020.a118

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Pedro Bessa, Mariana Assunção Quintes dos Santos

Presence and death: the ephemeral nature of the ‘arts of the body’

https://doi.org/10.37390/avancacinema.2020.a119

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Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos

Obscure Radiation: Sound energy flows at the threshold of the sound experience

https://doi.org/10.37390/avancacinema.2020.a120

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Hemilly Nascimento, Mônica Stein

Female Archetypal Regency: A Character Building Method

https://doi.org/10.37390/avancacinema.2020.a121

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Pedro Alves da Veiga

Speciesism | Ageism | Racism

https://doi.org/10.37390/avancacinema.2020.a122

Cíntia Mariza do Amaral Moreira , Ana Carolina de Gouvêa Dantas Motta, Mário Elian, Thaís Yamamoto, Antônio Frederico Moreira Lasalvia

Technique of making adobe in a craft workshop using documentary video: an example in Portugal and another in Brazil

https://doi.org/10.37390/avancacinema.2020.a123

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Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

“The Fantastic Flying Books of Mr. Morris Lessmore” of William Joyce and Brandon Oldenburg: when sound is dominant in building a narrative of text and images

https://doi.org/10.37390/avancacinema.2020.a124

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Hugo Paquete

Terminal velocity: Chronoscopic time of the orbital bodies in the sound and musical composition.

https://doi.org/10.37390/avancacinema.2020.a125

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Filomena Antunes Sobral, Daniela Morgado Oliveira

Experimental video and self-portrait

https://doi.org/10.37390/avancacinema.2020.a126

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Sumaira Majeed, Noor Ul Ain Lashari

Woman the Natural Nurturer: An Ecofeminist Study of Niki Caro’s The Whale Rider.

https://doi.org/10.37390/avancacinema.2020.a127

Chapter II _ Cinema - Cinema

Ivana Denise Grehs

The image of the memory of slavery as a background in the documentary “A Última Abolição”.

https://doi.org/10.37390/avancacinema.2020.a128

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Fabio Belotte

The materiality of memory in non-fictional animation

https://doi.org/10.37390/avancacinema.2020.a129

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Daniela de Castro Pastore, Elis Crokidakis Castro, Ivana Denise Grehs

The representation of reality through cinematic art in the construction of Bacurau

https://doi.org/10.37390/avancacinema.2020.a130

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Lauren Molyneux-Dixon

Adapting Complex Time: Story of Your Life (1998) and Arrival (2016)

https://doi.org/10.37390/avancacinema.2020.a131

Filipe Freitas Chaves

Adrian Cowell and the Brazilian Amazon

https://doi.org/10.37390/avancacinema.2020.a132

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Abbas Mohammadi

Aesthetics of the presence of women in Afghan cinema

https://doi.org/10.37390/avancacinema.2020.a133

Juan Francisco Celín Robalino

Comparative analysis of shadow with photography, body, the double and the shadow archetype

https://doi.org/10.37390/avancacinema.2020.a134

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Bárbara Caffarel

Analysis of the creative process in the documentary Looking For Richard: Approach to the bases of the construction of Shakespearean characters from the Stanislavki system and the Strasberg method

https://doi.org/10.37390/avancacinema.2020.a135

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Pâmela Peregrino, Edileuza Penha de Souza

Candomblé and animation cinema: Resistance strategies and territoriality

https://doi.org/10.37390/avancacinema.2020.a136

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Filipe Lopes, Pedro M. Afonso

Cinema without Visuals

https://doi.org/10.37390/avancacinema.2020.a137

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Felipe Muanis, Mariana Schwartz

Conventions in cinematographic art direction: a look at science fiction

https://doi.org/10.37390/avancacinema.2020.a138

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Leonardo da Silva Souza

Cut! Diaspora and heterogenesis evolving technique, aesthetics and politics in cinema

https://doi.org/10.37390/avancacinema.2020.a139

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Miriam de Oliveira Gonçalves

Discussing gentrification through documentary cinema

https://doi.org/10.37390/avancacinema.2020.a140

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Dulce María Núñez Oseguera

Mexican experimental cinema as a critical enunciation tool based on the artistic collaboration between Juan Rulfo and Rubén Gámez in The Secret Formula (1965)

https://doi.org/10.37390/avancacinema.2020.a141

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Edileuza Penha de Souza, Marcus Vinicius Mesquita

Encounters, Festivals and Exhibitions – ways to build brazilian black cinema

https://doi.org/10.37390/avancacinema.2020.a142

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José Duarte

Between fiction and reality: carnival according to Edgar Pêra

https://doi.org/10.37390/avancacinema.2020.a143

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Gilmar Santana

Between Oceans and Knowledge - Documentary film at the University

https://doi.org/10.37390/avancacinema.2020.a144

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Rafael Nogueira Costa, Robson Loureiro

Paulo Freire's aesthetics in the film “The King's Friend”, by André D`Elia: notes for thinking a critical cinema

https://doi.org/10.37390/avancacinema.2020.a145

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Alfredo Taunay Colins, Morgana Gama de Lima

Screen’s etnography and semiopragmatic: a dialogue between film’analysis methodologies.

https://doi.org/10.37390/avancacinema.2020.a146

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Hugo Nogueira Neto, Sandra Regina Nunes Chaves

Brazilian Western Cinema: the Bull, the Bullet and the Bible

https://doi.org/10.37390/avancacinema.2020.a147

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Fabiana Wielewicki, Guy Amado

Fiction and friction: images of the Amazon forest in foreign cinema

https://doi.org/10.37390/avancacinema.2020.a148

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Regina Glória Andrade, Jose Francisco Serafim, Sandra Straccialano Coelho

Fragments of female authorship in Brazilian cinema: considerations about Gilda de Abreu's cinema (1904 - 1979)

https://doi.org/10.37390/avancacinema.2020.a149

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Eva Vitija, Annette Brütsch, Christian Iseli

GADGETS, PHONES AND DRONES Multi-Perspective Documentary Storytelling

https://doi.org/10.37390/avancacinema.2020.a150

Sigmund Trageton

In the pursuit of the authentic cinema. A comparative study of two films about the 22. July 2011 terrorist attack in Norway

https://doi.org/10.37390/avancacinema.2020.a151

Laís Bravo Serra

Intersections between Cinema and Painting in Maria Antonieta by Sofia Coppola

https://doi.org/10.37390/avancacinema.2020.a152

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Severiano Casalderrey Conde

The “French Nouvelle Vague” in the shadow

https://doi.org/10.37390/avancacinema.2020.a153

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Rubén Marín Ramos

The archival configuration in contemporary nonfiction cinema

https://doi.org/10.37390/avancacinema.2020.a154

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Ángela Sáenz-Herrero, Juan Pedro Rica-Peromingo

The evolution of the Spanish language through dubbing in Spain

https://doi.org/10.37390/avancacinema.2020.a155

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Pollyanna Rosa Ribeiro, Keyla Andrea Santiago Oliveira

Naiá e a Lua (2010): indigenous legends under the spotlight of narrative

https://doi.org/10.37390/avancacinema.2020.a156

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Sérgio Bordalo e Sá

The Blue Angel: from the end of the Expressionism to the influence of Paramount. A film by Josef von Sternberg

https://doi.org/10.37390/avancacinema.2020.a157

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Edileuza Penha de Souza

The case of the wrong man – Cinema as an instrument to denounce the genocide of the black population

https://doi.org/10.37390/avancacinema.2020.a158

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Pedro Portugal

The Oxymoron

https://doi.org/10.37390/avancacinema.2020.a159

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Catarina Xavier

On taboo in cinema discourse: tradition, functions and reflections

https://doi.org/10.37390/avancacinema.2020.a160

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Pedro Miguel Jorge Réquio

Westerns - Myth and propaganda

https://doi.org/10.37390/avancacinema.2020.a161

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Marcos De Bona de Carvalho

Charlie Kaufman’s characters and Eduardo Coutinho's ‘non-characters’

https://doi.org/10.37390/avancacinema.2020.a162

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André Mendonça, Edileuza Penha de Souza

Percepções do clássico Alma no Olho e o cinema negro de Zózimo Bulbul

https://doi.org/10.37390/avancacinema.2020.a163

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Andréa Almeida de Moura Estevão

Aesthetic Research and Filmic materiality in musical documentary: music and imagery interweaving Fevereiros (Februaries)

https://doi.org/10.37390/avancacinema.2020.a164

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João Pinto, Teresa Cardoso, Ana Isabel Soares

PNC and Social Networks: challenges and opportunities on the social web

https://doi.org/10.37390/avancacinema.2020.a165

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Ana Luiza Cavalcanti Fatorelli Carneiro, Luiz Roberto Pinto Nazario

Collective screenplay: the idea of neorealistic cinema

https://doi.org/10.37390/avancacinema.2020.a166

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Francisco Malta, Fernando Rodrigues, Renan Oliveira, Thiago Malvar, Matheus Moita, Wilson Oliveira

Narrative transits that immersive 360 cinema allows viewers in, Toy Story 4

https://doi.org/10.37390/avancacinema.2020.a167

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Francisco-Julián Martínez-Cano

Volumetric filmmaking, new mediums and formats for digital audiovisual storytelling

https://doi.org/10.37390/avancacinema.2020.a168

Chapter III _ Cinema - Communication

Sónia de Almeida Ferreira, Sara Santos, Pedro Manuel do Espírito Santo

Individuals’ perceptions toward an ad video

https://doi.org/10.37390/avancacinema.2020.a169

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Cristiano Costa Pereira; Juliana de Castro Chaves

The rationality of the most popular cartoon in cinema, educational processes and pseudoformation

https://doi.org/10.37390/avancacinema.2020.a170

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Paria Rahimi, Somayyeh Chaychi

A Visual Rhetorical Analysis of Narges Abyar’s 2013 Film Track 143 (Shiyar 143)

https://doi.org/10.37390/avancacinema.2020.a171

Álvaro Cairrão

Analysis of new and traditional cinema consumption - the profile of young Portuguese university students

https://doi.org/10.37390/avancacinema.2020.a172

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Priscila de Oliveira, Sandra Regina Nunes Chaves

Cinema and technologic education

https://doi.org/10.37390/avancacinema.2020.a173

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Helena Tude

Design & cinema: A timeline of graphic design in film

https://doi.org/10.37390/avancacinema.2020.a174

Imran Aslan, Sedat Şi̇mşe

Ethical Evaluation of the Use of Women in Advertisements

https://doi.org/10.37390/avancacinema.2020.a175

Mariana Bento Lopes, José Alberto Rodrigues

CINEMA: Inclusion and Accessibility for Deaf People

https://doi.org/10.37390/avancacinema.2020.a176

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Cheong Kin Man

The role of subaltern cultural medias among the indigenous peoples in Great China: semantic analysis, implications and translations

https://doi.org/10.37390/avancacinema.2020.a177

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Lúcia Maria Pereira Bravo

Digital Out of Home media, post-massivity and convergence: DOOH media uses and management in favor of democratization and decolonization of communication in 21st century brazil

https://doi.org/10.37390/avancacinema.2020.a178

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José Antonio Martinuzzo , Rosane Vasconcelos Zanotti

Advertising film and the audiovisualities of diversity and inclusion in organizational communication strategies

https://doi.org/10.37390/avancacinema.2020.a179

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Paola Cristhina Stumpf Rodrigues , Rui Raposo

The potential of storytelling in horror short movies through the use of digital special effects

https://doi.org/10.37390/avancacinema.2020.a180

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Filipe Pereira

The documentary film as a tool for the ethnography of performance

https://doi.org/10.37390/avancacinema.2020.a181

Fuad Halwani

The Trickster in Serialized Television: An Anti-hero of Postmodern Mythologies

https://doi.org/10.37390/avancacinema.2020.a182

Claudio Fontan, Denise Azevedo Duarte Guimarães

“THIS IS AMERICA”: An aesthetic video and social activist

https://doi.org/10.37390/avancacinema.2020.a183

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Cheong Kin Man

An Identity Reinterpreted: Notes on an old documentary and investigation into Macanese identity

https://doi.org/10.37390/avancacinema.2020.a184

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Taher Abdel-Ghani

Using Bernard Tschumi's Manhattan Transcripts as a Cinematic Pedagogical Tool in Architecture Schools in Egypt

https://doi.org/10.37390/avancacinema.2020.a185

Chapter IV _ Cinema - Technology

Steve Whitford

Ambisonic-centred location sound recording - reinvigorating the Observational Documentary genre?

https://doi.org/10.37390/avancacinema.2020.a186

Tugay Arat, Sedat Şi̇mşe

Development of Internet Television Broadcasting and Satisfaction in Internet Broadcasting

https://doi.org/10.37390/avancacinema.2020.a187

Andreia Machado Oliveira, Matheus Moreno dos Santos Camargo, Luyanda Zindela

Virtual Monuments: A Collaborative Fulldome format audiovisual project

https://doi.org/10.37390/avancacinema.2020.a188

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Wilson Oliveira Filho, Gabriel Linhares Falcão, Francisco Malta

The movement of things: Jodie Mack and the looping experimental animations

https://doi.org/10.37390/avancacinema.2020.a189

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João Pedro Ribeiro, Miguel Carvalhais, Pedro Cardoso

Sound in the Mise-en-jeu: Conveying Meaning through Videogames’ Mediated Space

https://doi.org/10.37390/avancacinema.2020.a190

Richard O’Sullivan

Standing Ground: the index in the landscape of the digital

https://doi.org/10.37390/avancacinema.2020.a191

Bruna G. Malta Victal Teodoro, Glaucia E. Davino

Streaming times. Implications on audiovisual production in Brazil

https://doi.org/10.37390/avancacinema.2020.a192

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Mª Alexandra Cardoso

The Influence of Science Fiction in Healthcare Technology

https://doi.org/10.37390/avancacinema.2020.a193

Chapter V _ Guests

Alice Fátima Martins

Mrs. Maria makes movies

https://doi.org/10.37390/avancacinema.2020.a194

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João Fragoso e Castro, Paulo Bernardino Bastos, Heitor Alvelos

Emotions on pictures in motion

https://doi.org/10.37390/avancacinema.2020.a195

Rodolfo Gomes Pereira, Lídia Oliveira, Ana Carla Amaro

Framing the Rural – Finding narratives in the making of a documentary about Amiais, Portugal

https://doi.org/10.37390/avancacinema.2020.a196

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Regis Frota

Entre Macacos e Anjos (2019), a utopia do 17º filme brasileiro

https://doi.org/10.37390/avancacinema.2020.a197

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Kajingulu Somwe Mubenga

Film Subtitling: A New Research Genre in Africa

https://doi.org/10.37390/avancacinema.2020.a198

Igor Abrahão Arantes, Bernardo Giorni Abijaude Bracarense, Samuel Marinho Leidner, Humberto de Campos Rezende, João Victor Boechat Gomide

Workflow for real-time rendering animation

https://doi.org/10.37390/avancacinema.2020.a199

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Regis Frota

O Acossado e o cinema moderno da desmistificação godardiana

https://doi.org/10.37390/avancacinema.2020.a200

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Patrícia Dourado, Cecília Salles, Mirian Tavares

Script practices: revisiting concepts

https://doi.org/10.37390/avancacinema.2020.a201

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Nazlı Eda Noyan

The Destiny of a “Baby” Industry: Turkish Animation

https://doi.org/10.37390/avancacinema.2020.a202

José da Silva Ribeiro

Um Percurso pelo Cinema e pela Escola

https://doi.org/10.37390/avancacinema.2020.a203

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Javier Venturi

Utopian and Dystopian Visions in the Movies The Voice of the Moon and Some Time Later

https://doi.org/10.37390/avancacinema.2020.a204

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