All Items

69 Items
Manuel Siabato

360° cinéma montage versus immersive notion: Sam Esmail and the sensory experimentation in Mr. Robot series.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a446
Filipe Pires, Rui Silva, Rui Raposo

A Survey on Virtual Production and the Future of Compositing Technologies

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a447
Elia Ramírez Barroso

Accesibility and audio description for children: proposing an audio description script for the short film Puppy

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a537
Carlos Federico Buonfiglio Dowling

Alagmatic Narratives: THE WRITING OF THE GOD

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a596
Steve Whitford

Ambisonic-centred location sound recording - reinvigorating the Observational Documentary genre?

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a186
Pedro Henriques, Pedro Alves da Veiga

Angústia: An Autoethnographic and Phenomenological Analysis of the Documentation of Subjectivity through Artificial Intelligence

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a667
Francisco Malta, Fernando Rodrigues, Renan Oliveira

Bandersnatch: o mundo virtual e a realidade na interatividade do cinema.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.67
Luis Fernando Medina Cardona, Julián David Sandoval Ospina

Between language frames: seriality and variation in computer-coded film. A case study with a code-generated abstract film

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a339
Sónia de Almeida Ferreira, Sara Santos, Pedro Manuel do Espírito Santo

Bohemian Rhapsody: efeitos da atribuição de prémios cinematográficos no envolvimento no Facebook.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.68
Paulo Barbosa

Challenges and Innovations in Accessing and Researching Oral Memories: The Case of the AMOPC Archive.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a663
Luiz Philipe Fassarella Pereira, Rodrigo Octavio D’ Azevedo Carreiro

Cinema, reality and technology in convergence

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a448
Eusebio Alonso-García, Sara Pérez-Barreiro, Iván Rincón-Borrego

Cinematographic ecosystem of the city and transfer with new technologies.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a449
Alexandre Carvalho

Cinematographic Virtual Reality: methods of capturing attention in a 360° environment

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a538
Jason S. Kao, Ole Christoffer Haga, Meisam Taheri

Conceptualising Cinematic Augmented Reality

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a606
João Ventura, Vítor Quelhas

Contribution of visual communication in the symbiosis between space and technology: the Zora case

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a450
Sheila García-Muñoz Vizcaíno

Creative subtitling as an accessibility tool for children with hearing impairment

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a451
João Ribeiro, Vítor Quelhas

Criação de narrativa num cartaz através de animação.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.69
Marta Brescia-Zapata

Culture meets immersive environments: a new media landscape across Europe

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a340
Luiza Moreira Heinzelmann, Mônica Stein

Development of a digital comic in vertical orientation with insertion of animations.

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a452
Tugay Arat, Sedat Şi̇mşe

Development of Internet Television Broadcasting and Satisfaction in Internet Broadcasting

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a187
Jorge Humberto Flores Romero, Juan Carlos Lobato Valdespino

Domestic spaces in the cinematic house. “Amores Perros” by Alejandro González Iñárritu.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a664
Fábio Jabur de Noronha

Electronic montage: the non-formalistic video-cinema form of algorithm

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a341
Ana Carolina Fiuza

Ex Machina and Her: narrative genres and gender narratives

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a342
Maria Canas, Pedro Cardoso, Sérgio Eliseu

Expanding Expanded Cinema: Audience Agency and Dark Play

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a659
Mário Mesquita

Flaneur: the film of the architecture of public space

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a539