All Items

217 Items
Alessandro Ricardo Pinto Campos

"Faz um filme com a gente, pra gente mostrar para os parentes”: A cultura do povo Ka’apor acionada pelo cinema.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.34
Cheong Kin Man

(Re)nostalgization: Macau’s cinema as a construct of identity

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a293
Francisco Malta

A criação do personagem cinebiográfico para o cinema: os desafios do roteirista para criar ou recriar.

October 30, 2019
https://doi.org/10.37390/ac.v0i0.23
Ersan Ocak

A Critical Inquiry on Data Visualization Based Interactive Documentary: “The Fallen of World War II” as an example

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a254
Tiago Luís Minau Ramos

A Question of Belief: A Reading of Close Your Eyes (Victor Erice, 2023)

January 22, 2025
https://doi.org/10.37390/avancacinema.2024.a582
Hossein Mashali, Leila Montazeri

A Study of Sound Aesthetics in Screenplays of Asghar Farhadi Based on Michel Chion’s Theories

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a255
Mohammad Reza Hemmati, Negar Hassanzadeh, Nahal Marghaei Zadah

Acting Evolution in cinema: D.W. Griffith and Lillian Gish.

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a636
Lauren Molyneux-Dixon

Adapting Complex Time: Story of Your Life (1998) and Arrival (2016)

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a131
Filipe Freitas Chaves

Adrian Cowell and the Brazilian Amazon

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a132
Cheong Kin Man

Advocating world cinema’s multipolorization

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a256
Andréa Almeida de Moura Estevão

Aesthetic Research and Filmic materiality in musical documentary: music and imagery interweaving Fevereiros (Februaries)

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a164
Abbas mohammadi

Aesthetics of camera movement in Afghan cinema

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a257
Abbas MOHAMMADI

Aesthetics of Color in Afghan cinema

October 30, 2023
https://doi.org/10.37390/avancacinema.2023.a493
Abbas mohammadi

Aesthetics of Symbolism and Semiotics in Afghan Cinema

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a258
Abbas Mohammadi

Aesthetics of the presence of women in Afghan cinema

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a133
Natália Queiroz de Oliveira Souto

Alterity, Dialogism and Polyphony through the film Encanto

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a396
Josep Torelló Oliver, Jaume Duran Castells

Análisis práctico de la obra de Pere Portabella (1967-1976): la subversión de la Manera de Representación Institucional a través de la música

October 30, 2019
https://doi.org/10.37390/ac.v0i0.83
Bárbara Caffarel

Analysis of the creative process in the documentary Looking For Richard: Approach to the bases of the construction of Shakespearean characters from the Stanislavki system and the Strasberg method

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a135
Marcus Vinicius Azevedo de Mesquita, Edileuza Penha de Souza

Ancestry and identity in Negrum3 - A black pedagogy about gender and sexuality

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a397
Mattia Ronconi, Jorge Brandão Pereira, Paula Tavares

Animation as a Documentary Strategy of Graffiti Writing. Representation and Reconstruction of Memories

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a259
José Duarte

Archive and Landscape: On Cinema and Wonder

October 30, 2021
https://doi.org/10.37390/avancacinema.2021.a260
José Duarte

Belonging

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a398
José Duarte

Between fiction and reality: carnival according to Edgar Pêra

October 30, 2020
https://doi.org/10.37390/avancacinema.2020.a143
Rosário Santana, Helena Maria da Silva Santana

Between fiction and reality: the particular case of the short film “Bugs and Daffy’s Carnival of the Animals by Camille Saint-Saëns” (1976) by Chuck Jones

October 30, 2022
https://doi.org/10.37390/avancacinema.2022.a399
Francisco Malta, Pedro Losch, Zeca Pedroso

Between Images and Memories: Memory and Identity in I’m Still Here

December 16, 2025
https://doi.org/10.37390/avancacinema.2025.a638